Mélanie Gouby didn’t expect to star in a documentary when she began reporting on the Congo, but the independent journalist from France found herself as a tour guide in the award-winning documentary Virunga.
The film is about Virunga National Park, the oldest and most biodiverse park on the African continent. The story revolves around four main characters, including an ex-child soldier turned park ranger, a caretaker for orphan gorillas, a Belgian conservationist and journalist Mélanie Gouby. As the film’s tagline says, “Virunga is the incredible true story of a group of brave people risking their lives to build a better in a part of Africa the world’s forgotten and a gripping exposé of the realities of life in the Congo.” (more…)
Prior to entering journalism school, I interned for the digital department at an entertainment company in NYC. One main objective at this company was to create videos that had the potential to get lots of views, i.e. videos that would go “viral.” As long as the videos were entertaining and attracted lots of eyeballs, they were considered successful.
I began to understand what made these types of videos popular, but I wondered if the producers of videos that dealt with more serious topics followed the same guidelines. Was there someone in every newsroom video department saying things like, “Make that petty theft more entertaining, so it gets more views”?
There are some companies out there who are successful at getting more important stories to go viral – Mashable, BuzzFeed and YouTube are some of the better-known examples. In journalism school, we didn’t learn “the rules” of producing viral news content. Do rules even exist?
Last month, the Digital Media Associates- members of one of our fellowship programs at the Columbia Journalism school- produced the video above as a team. We wanted to share our process, because while it’s a short, straightforward story, the steps we took to produce the piece are the same steps we’d take to make a full-length documentary. We’ll walk you through the reporting, shooting, storyboarding and editing of a video that might be similar to the videos you’ll produce.
GIDEON’S ARMY, an award winning documentary that premiered at Sundance Film Festival and on HBO in 2013, follows the stories of three young public defenders who are part of a small group of idealistic lawyers in the Deep South.
The main characters work to challenge the assumptions that drive a criminal justice system strained to the breaking point. They struggle against long hours, low pay and staggering caseloads; even the most committed often give up in their first year.
Salima Koroma didn’t think her first first out-of-state assignment would be the historic protests over the police shooting of 18-year-old Michael Brown. She’s been producing video for Time’s online video team for just about two months, and last week they bought her a one-way ticket to Ferguson, Missouri.
Before starting at Time, she graduated from the documentary program at the Columbia University Journalism School, where she produced her own documentary, Bad Rap, and was a producer for NowThisNews. Columbia Visuals talked to Koroma about her experience producing video from Ferguson.
Brent McDonald is a senior video journalist with the New York Times. He produced “Standoff in Ferguson,” a three-minute video for the Times that was published on August 14th, in the midst of protests over the police shooting of 18-year-old Michael Brown.
McDonald has been producing video for over ten years, and has been with the Times since 2005. Columbia Visuals spoke with him by phone from Ferguson, Missouri, on August 15th. He told us about the mood there and gave us some details on his production methods. (more…)
Documentary film program alumni Jeng-Tyng Hong and Matthew Claiborne, both class of 2013, spent their time at Columbia Journalism School working on a short documentary about the use of solitary confinement in New York prisons. They screened their film at the Catskill Mountains Film Festival and their characters use the film to raise awareness about fair treatment in prison.
We interviewed Jeng-Tyng about their film, The Ex-Periment, and what they learned during production.