Video and Photo workshops under $1,000 in 2015

Last year, we published a list of great visual journalism workshops, and there are lots of lists like this out there. After looking through them, we’ve realized that the prices of these workshops are way too high for most of us journalists, especially for those who are freelancing or just starting out. So we narrowed it down; here’s a list of workshops under $1,000 (plus travel expenses) that we think are totally worth your hard-earned cash.

Behind the Prizes: Hollow

The impact of the social documentary “Hollow” is undeniable. But when Elaine McMillion Sheldon set out to capture the essence of a small town community in America through film, she had no idea how the final product would look. She only knew that she wanted to highlight the lives of people who came from areas of the country where the population had been decreasing over the last few decades. McDowell County, West Virginia, very near to where Sheldon grew up, is one of those places. (more…)

Behind the Prizes: Silent Night

On March 11th, 2012, Staff Sergeant Robert Bales left his army base and allegedly killed 16 innocent civilians in the villages surrounding Kandahar, Afghanistan. While he was criminally tried in America, little has been heard from the villagers who witnessed the gruesome murders firsthand. Lela Ahmadzai, a German video and photojournalist who was born in Kabul, happened to be in Afghanistan when news of the massacre trickled out. She decided to go to Kandahar and record the firsthand accounts of those who saw their families massacred. In her multimedia piece, Silent Night, she uses photo, video and audio to showcase the stories of those directly affected by Bales’ actions. (more…)

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BEHIND THE PRIZES – NSA FILES: DECODED

The second prize of the 2014 World Press Photo Multimedia Awards for interactive documentary went to The Guardian’s NSA Files: Decoded. To understand how the documentary took form, we spoke to Gabriel Dance, the lead interactive editor on the project. Dance is currently the managing editor for the Marshall Project, a non-profit investigative journalism startup focusing on crime and punishment in the U.S., previously he was the interactive editor for The Guardian in New York City, and before that he was at The New York Times. (more…)

"Audio is the spine of multimedia," according to video experts MediaStorm, and you should believe them. Sometimes in the hectic race to get a video project shot, we forget that sound is critical to producing a watchable film. We've put together some basic microphone and editing tips to take your audio from an afterthought, to a priority.

“You just need 20 seconds of insane courage.”

Leslye Davis is a name you’ll want to remember. At only 23, she is already a visual journalist at The New York Times, where she began working as an intern and was quickly hired to work as a multimedia producer for projects across multiple desks at The Times. Davis spoke to us about how she started, her approach to stories and her experience at the paper.  (more…)

Beyond the frame: from stills to motion

Check out Jessica Dimmock and Stephanie Sinclair’s Too Young to Wed: Destaye, a short film that examines a young girl’s journey as a child bride in Ethiopia. Dimmock is an example of how a photographer can  successfully transition into video. 

The reality for most photojournalists is that a majority of their work is video or multimedia. If you’re a still photographer just moving to video, we have a list of tips from pros Ed Kashi, Ron Haviv and Jessica Dimmock, to help ease the transition. (more…)