As a child Susie Cagle loved to draw, scribbling little comic books and cartoons here and there. A talent for drawing ran in the family – her father was an editorial cartoonist. But to her, these illustrations were a hobby – she didn’t want to follow in her father’s professional footsteps. She decided that she wanted to be a reporter instead and enrolled at the Columbia Journalism School to help launch her career.
She graduated in 2006 and moved to the Bay Area in hopes of finding some freelance writing gigs. Eventually, she got hired at San Francisco’s Curbed blog a week before the stock market crash of 2008. Two and a half months later, she was laid off and her career ambitions came to a halt again. She decided enough was enough; she had debts to pay and was desperate to find a new way to earn some money. She’d never considered pursuing her drawing hobby professionally, but figured that some of her non-fiction comics might work in a journalistic setting. (more…)
Lea Khayata and Elettra Fiumi met at Columbia Journalism School in 2011. They worked on their master’s project together and got along exceptionally well. When the school year ended and they started looking for jobs, they couldn’t find anything that suited them. “Everything was very particular: only research, or only shooting, or only editing, things like that. And the way we had learned things was to do everything from beginning to end,” explained Lea. So with a little encouragement from their teacher, they decided to take the jump and create their own production company: Granny Cart Productions.
In this video, they explain their work and how they put their company together.
The second prize of the 2014 World Press Photo Multimedia Awards for interactive documentary went to The Guardian’s NSA Files: Decoded. To understand how the documentary took form, we spoke to Gabriel Dance, the lead interactive editor on the project. Dance is currently the managing editor for the Marshall Project, a non-profit investigative journalism startup focusing on crime and punishment in the U.S., previously he was the interactive editor for The Guardian in New York City, and before that he was at The New York Times. (more…)
It takes a lot of time and money to make a documentary, especially when you are just starting out. It’s one thing to get the filming done but another to get your film into post-production. One of the first things you can do to draw attention to your film is to make a trailer that will start buzz about your film, even while it’s still in production.
We spoke to our former staffer Adam Perez and his fellow CUJ alum Jan Hendrik Hinzel (both class of ’13) about making the trailer that’s helping them fundraise and bring interest to their film Who We Become. (more…)
Prior to entering journalism school, I interned for the digital department at an entertainment company in NYC. One main objective at this company was to create videos that had the potential to get lots of views, i.e. videos that would go “viral.” As long as the videos were entertaining and attracted lots of eyeballs, they were considered successful.
I began to understand what made these types of videos popular, but I wondered if the producers of videos that dealt with more serious topics followed the same guidelines. Was there someone in every newsroom video department saying things like, “Make that petty theft more entertaining, so it gets more views”?
There are some companies out there who are successful at getting more important stories to go viral – Mashable, BuzzFeed and YouTube are some of the better-known examples. In journalism school, we didn’t learn “the rules” of producing viral news content. Do rules even exist?
Salima Koroma didn’t think her first first out-of-state assignment would be the historic protests over the police shooting of 18-year-old Michael Brown. She’s been producing video for Time’s online video team for just about two months, and last week they bought her a one-way ticket to Ferguson, Missouri.
Before starting at Time, she graduated from the documentary program at the Columbia University Journalism School, where she produced her own documentary, Bad Rap, and was a producer for NowThisNews. Columbia Visuals talked to Koroma about her experience producing video from Ferguson.
Documentary film program alumni Jeng-Tyng Hong and Matthew Claiborne, both class of 2013, spent their time at Columbia Journalism School working on a short documentary about the use of solitary confinement in New York prisons. They screened their film at the Catskill Mountains Film Festival and their characters use the film to raise awareness about fair treatment in prison.
We interviewed Jeng-Tyng about their film, The Ex-Periment, and what they learned during production.